“Can we get picks with handles on, for Andy?” – EC talking to Andy Fairweather-Low, New York live rehearsals 1994 “…there was always that thing about people who played with their fingers – they just had a more vibrant tone…” – Clapton interview on “Nothin’ But The Blues”, talking about Otis Rush “The pick is the biggest amplifier that exists” – Mark Knopfler
Most electric rock guitarists are using a pick for both rhythm and solo guitar. With a pick you get a loud, clean and sharp tone, exactly what you need in a rock band. You can play very fast by using alternate and sweep picking techniques, as long as you play single note runs (double stops are harder to play). You also can play easy chord strumming without playing your nails off. But because you don’t touch the string with your finger you’re loosing a little bit of feeling and control. Picking with your fingers gives a more characteristic tone, from dirty like Albert King to the brilliant clean Strat tone of Mark Knopfler’s “Sultans of swing”.
What is fingerstyle? What is fingerpicking?
Fingerstyle simply means that you pick or strum the guitar strings without any kind of pick (including normal picks, thumb picks and fingerpicks), just with your bare fingers. You can do this on all kinds of guitars, electric and acoustic, with steel or nylon strings. Strictly classical guitarists play always fingerstyle, flamenco players also. Most early acoustic Blues players of the Delta style played that way.
Fingerpicking is a bit more specific. It means that you play certain picking patterns, which are derived from chords and played in an arpeggio-like style. The thumb often plays a kind of rhythm part like a walking bass while the fingers play repeating patterns. This style is often used in folk music (e.g. Paul Simon) as well as in Blues, country, ragtime and even pop and rock music. The acoustic guitar of EC’s “Presence of the Lord” is fingerpicking, while the acoustic Layla is fingerstyle but not fingerpicking. Since most fingerpickers play fingerstyle (but some use fingerpicks!) it is sometimes difficult (or nonsense) to distinguish between both. A favourite fingerpicking song of mine is Fleetwood Macs “Never goin’ back again” on my favorites page.
Back to fingerstyle. While many acoustic players use fingerstyle, there are only a few who do this on electric guitars. Some of them are well known like
And the old Blues players:
There are different ways to play fingerstyle. Most of us know the classical guitar style: Thumb for the three bass strings, index, middle and ring finger for the melody strings. This is the way to play Blues fingerpicking, the bass lines played with the thumb, picking patterns or short licks with the fingers. In the early, acoustic Blues days (Robert Johnson, Big Bill Broonzy,…) this was the main technique, picks were not used. Some of them were playing this style even after changing to an electric guitar (Lightnin’ Hopkins). Some of them developed other styles to play solo guitar with their fingers, others began to use fingerpicks (Freddie King).
On electric (steel string) guitars most players actually don’t play with the nails only (they would break after a few minutes), they rather play with the fingertips. Don’t use too long nails in the beginning! Playing fingerstyle on an electric is hard if you played only with a pick before. You need some time to get a reproducible sound while picking and in the beginning you’ll often touch unwanted strings. Two common problems are:
Both problem can be solved by practicing. The sound difference is created often by the amount of nail involved, so the angle of picking is critical. You also should decide which way to play (see below) in the very beginning, so that you don’t need to think about which finger to use on which string. After a while you may develop your own techniques.
There are many different styles for fingerstyle guitar, I will explain the most common of them:
Try it out! But don’t play to much at the beginning – your fingers have to get used to it.
Reconsider Baby is from the album “From the Cradle“. You may also take a look at the “Nothing but the Blues” video to see it played live.
Reconsider Baby was written 1954 by Lowell Fulson. (By the way – Fulson’s (1921 – 1999) piano player was no one other than Ray Charles…)
Reconsider Baby is a slow Blues in G at about 90 bpm (beats per minute, and that are HEAVY beats at 1 and 3!) and played on a Gibson ES 335, and EC plays it in fingerstyle. To get an idea how to start, the beginning is noted in two ways to play it (fingerset 1 = fs1, fingerset 2 = fs2, remember it’s the pickin’ hand!) with thumb (t) and index finger (i) or thumb, index and middle finger (m). I don’t know the exact way EC plays it, it’s hard to follow even with the help of the video. Try out how it works best for you.
In this tab I use the first fingering pattern of the minor pentatonic Blues scale in G beginning at the 3rd fret. Sometimes a note from the major scale is added (gray dots) as usual.
To remember the minor pentatonic scale in G:
It’s not typical for EC to play a complete song a) only within one pattern and b) without jumping to the 12th fret and above. But it sounds great and you can see that you really need only a few notes to play a great solo.
I----------3---3-6b-3------------------------------------------------------------------I
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